Review: [Kes and Band + The Triangles]
Following even a casual survey of the range of art displayed at the National Gallery of Victoria one finds the majority of the most excellent paintings (and I distinctly recall at least one breathtakingly consummate bust) are based on religious events or themes. Recall the many impassioned images of the Christ painted in the Renaissance and contrast to these the listless virtuoso portraiture in the 18th century. Think you, that Bach could have touched the heights of his St. John Passion, Mozart his D-minor Requiem, Stevens his Seven Swans without being first filled to the brim with the most profound devotion?
Of course the contention I have just now outlined is completely absurd. Confessedly I do in my more frivolous moods I enjoy the argument, yes the one just above, and in a way I would like it to contain some small crux of truth. That is, great art is infused with the awesome power of God’s love. This fancy may account for why I love a band like the Triangles so goddamn much, blasphemy, yes unhappily I am myself an atheist. But you see when the Triangles start playing their gorgeous, whimsical pop music I have something of a religious experience. As the guitar ascends the major key so do my spirits soar and when the xylophone taps out a joyful melody I gleam with radiant mirth and devotion and...
Your pardon. So the Triangles played a pretty good set at the Tote on the Sabbath. Two things were disappointing however. Firstly they have determined to reduce the number of random instruments they use on stage (eg. ukuleles, accordions, cups, bugles, various and manifold random keys, balloons etc.) and instead play a more rock based guitar set. This I feel is a mistake. Their talent lay precisely in the chaos and unpredictability of their music and shows, cutting back on instruments in favour of consistency and saving time between songs is disappointing. Even if they sometimes do forget a bugle say and can't play a song or spend ages looking for a lost harmonica it's all part of their singular charm. My other grievance is that they didn’t play that song about building helicopter number three though bats and i am your valley were particuarly good. Anyway their new songs are meritous if sensible but the Triangles if you have happened to google yourselves and are reading this then take heed.
Also playing was the talented Kes with his very talented backing band. Hopefully I’ll manage a fuller review of Kes at a later date. Basically the set was awesome. Imagine if you will, a folk band jamming psychedelic rock freak outs. Maybe you’re familiar with Syd Barrett? Well a bit like that, nowhere near as inspired and erratic but every bit as good. I really can’t remember too much else though the lyrics were pretty interesting, one song seemed to be about wizardry. But I do recall being completely blown away.
In short, The Triangles and Kes are two bands you really need to see.
Of course the contention I have just now outlined is completely absurd. Confessedly I do in my more frivolous moods I enjoy the argument, yes the one just above, and in a way I would like it to contain some small crux of truth. That is, great art is infused with the awesome power of God’s love. This fancy may account for why I love a band like the Triangles so goddamn much, blasphemy, yes unhappily I am myself an atheist. But you see when the Triangles start playing their gorgeous, whimsical pop music I have something of a religious experience. As the guitar ascends the major key so do my spirits soar and when the xylophone taps out a joyful melody I gleam with radiant mirth and devotion and...
Your pardon. So the Triangles played a pretty good set at the Tote on the Sabbath. Two things were disappointing however. Firstly they have determined to reduce the number of random instruments they use on stage (eg. ukuleles, accordions, cups, bugles, various and manifold random keys, balloons etc.) and instead play a more rock based guitar set. This I feel is a mistake. Their talent lay precisely in the chaos and unpredictability of their music and shows, cutting back on instruments in favour of consistency and saving time between songs is disappointing. Even if they sometimes do forget a bugle say and can't play a song or spend ages looking for a lost harmonica it's all part of their singular charm. My other grievance is that they didn’t play that song about building helicopter number three though bats and i am your valley were particuarly good. Anyway their new songs are meritous if sensible but the Triangles if you have happened to google yourselves and are reading this then take heed.
Also playing was the talented Kes with his very talented backing band. Hopefully I’ll manage a fuller review of Kes at a later date. Basically the set was awesome. Imagine if you will, a folk band jamming psychedelic rock freak outs. Maybe you’re familiar with Syd Barrett? Well a bit like that, nowhere near as inspired and erratic but every bit as good. I really can’t remember too much else though the lyrics were pretty interesting, one song seemed to be about wizardry. But I do recall being completely blown away.
In short, The Triangles and Kes are two bands you really need to see.
24 Comments:
hello,
I'm just wondering if the "Kes the band" you referred to is the same Kes the Band that I know ... http://www.kestheband.com or http://www.myspace.com/kestheband.
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